Film

	‘Quantum of Solace’ Offers a Smidgen of Comfort, a Wallop of Action By Frederik Sisa @ 9:00 AM November 14, 2008 Found in: Film It’s like that moment on a roller-coaster right after the endless suspense of getting pulled up the ramp and right before the sudden, terrifying drop. And that’s just within the first 10 minutes. “Quantum of Solace,” the 23rd film in a series that needs no introduction, has stunts that fall in the category of unbelievable. Car chases, foot chases, aerial dogfights – if it moves on air, land or sea, it’s in a stunt extravaganza that pounds hearts and drops jaws. Bond’s pursuit of an environmentalist who uses his “green” company as a front for sinister geo-political machinations couldn’t be pumped up with any more adrenaline. read
	Escape 2 Laughs By Frederik Sisa @ 8:00 AM November 14, 2008 Found in: Film So it’s not “Wall.E.” There — I’ve said it. Maybe I’m defending the film from an accusation that hasn’t been made – does anyone really expect a “Madagascar” film to be “Wall.E”? – but,hopefully, with that kind of snootiness out of the way we can get to what makes this sequel to 2005’s “Madagascar” a tasty puff of animation. And there’s nothing wrong with being a tasty puff of beautiful animation. read
	‘Body of Lies,’ a Very Moral Film With a Certain Vagueness By Frederik Sisa @ 8:00 AM November 07, 2008 Found in: Film A devious spymaster, the wary and morally conflicted field operative, the relentless enemy, the high stakes, a larger-than-life plot, the inevitable reach for analogies involving spiders, flies, and webs – the military-espionage thriller gang’s all here, albeit dressed up by Ridley Scott into a gripping, uncompromising, brutal portrait of the global war on terror as fought in the Middle East. Scott’s ability to direct clear action scenes possessed of a visceral, documentary nature – unmuddled by unnecessary cuts and quirky camera angles – strips “Body of Lies” of a superficial exploitative sheen, much like “The Dark Knight” stripped Batman of his comic book-ishness, to deliver a film that entertains without sacrificing its topical integrity. read
	Changeling: Truth Really Is Stranger Than Fiction By Frederik Sisa @ 7:00 AM October 31, 2008 Found in: Film There were three reasons to be enthused about seeing “Changeling.” In no particular order: 1) Angelina Jolie who, when not collecting a paycheck from comic book detritus like “Wanted” or simply gallivanting (admittedly to our delight) as Lara Croft, is certain an actress of note. 2) Clint Eastwood, the quintessential director’s director whose mastery of filmcraft consistently yields handsome, unassuming but polished work – classical in the best sense of the word. And 3) J. Michael Straczynski (JMS), the man behind the milestone science-fiction series “Babylon 5”, an insightful writer who marks his first foray into feature films after years in television.read
	Bill Maher Takes Aim at the Ridiculous in Religion By Frederik Sisa @ 9:00 AM October 24, 2008 Found in: Film The man behind “Politically Incorrect” on Comedy Central and, currently, “Real Time” on HBO, launches a bold, sorely-needed broadside against religion. The result is typical Bill Maher; unapologetic, blunt, and (mostly) funny as hell. But for a film that, with an irreverent game of gotcha, points out the ridiculous in various religions’ beliefs, Maher’s cannonade isn’t so much aimed at creating cognitive dissonance in believers but to shake atheists from their timidity in the face of nonsense. read
	A Tale About a Mysterious Underground City That Could Have Been So Much Stronger By Frederik Sisa @ 11:00 AM October 17, 2008 Found in: Film Review: City of Ember The setting is extraordinary. An underground city a flicker away from total darkness, kept alight through thousands of streetlamps and suspended lights powered by a hydroelectric generator. Director Gil Kenan’s vision could be described, to coin a term, as grimepunk – steampunk’s proletarian sibling. Post-apocalyptic, decrepit, stylish in its lack of style, a focus on utility rather than prettiness, a patchwork aesthetic of grimy, rusty machinery barely maintained by a peasantry who know what the machines are for but not how they work. The city that gives the film, and the book on which it’s based, its name is like a low-tech, rudimentary analogue to Alex Proyas’ “Dark City.” Kenan gives Ember a claustrophobic, stagnant atmosphere, which is appropriate given that, as the prologue tells us, the confines of the city are all that generations of people have known throughout 200 years of isolation from an undescribed global disaster. read
	It's No Song for the Thin Man, but Nick and Norah Do Have a Nice Playlist By Frederik Sisa @ 8:00 AM October 10, 2008 Found in: Film The first question that came to mind when watching the trailer for “Nick and Norah’s Infinite Playlist” was: why Nick and Norah? What possible relationship could the film – based on the book by Rachel Cohn – have to the classic “The Thin Man” book and six popular movies starring William Powell and Myrna Loy? After watching the movie, I still don’t know. Maybe it’s a reference to the pajama collection. Or maybe the book’s authors just liked the alliteration and the reference to those classic films is purely a pop-cultural by-product.read
	Five Moments of Infidelity - A Film That's Faithful to the Aches of the Human Heart By Frederik Sisa @ 8:00 AM October 10, 2008 Found in: Film Stories about infidelity come with a certain amount of risk. It’s easy to get caught up in the melodrama of a person cheating on another, to dwell on the sexual and/or emotional betrayal in a way that renders the characters as caricatures drawn in black and white. Hard is resisting the impulse to moralize. Harder is presenting a nuanced psychology. Harder still is examining infidelity as it occurs in multiple sets of interconnected characters. Yet, writer/director Kate Gorman pulls it off. “Five Moments of Infidelity” is the “Crash” of frail human relationships, although where “Crash” gets it wrong and ends up a blunt, brutish thing that leaves one sullied and bruised, “Five Moments” is perceptive, humane, and fully capable of handling the synchronicity of its ensemble cast. It is remarkably organic, a quality manifested as much in script’s meticulous construction as in the liquid, almost dance-like camerawork that elevates “Five Moments” above similarly-budgeted indie films – although flat, characterless cinematography does the film no favours.read
	Brilliant Pairing of Buddies Creates a Western That Truly Works By Frederik Sisa @ 10:00 AM October 03, 2008 Found in: Film Appaloosa: A Tale of Love and Bullets Viggo Mortensen and Ed Harris didn’t share nearly enough screen time in David Cronenberg’s comic book treatise “A History of Violence.” But along comes “Appaloosa,” a classical Western rooted in a mature formulation of the buddy movie, to show just how comfortably these two pros fit together. As two friends and partners in the peacekeeping-for-hire business, Mortensen and Harris (who co-wrote the screenplay and directed) bring a wordless chemistry into the surgically-precise dialogue. read
	‘Hell’s Gate’ is More Like Heck’s Gate By Frederik Sisa @ 10:00 AM September 26, 2008 Found in: Film The railroad bridge in New York called Hell’s Gate got its name, we’re told, on account of lurking above the shipwrecking intersection of two waterways. It’s an ideal place to dispose of inconvenient corpses – divers never find anything dumped there – and a good title for the familiar morality play of a down-on-his-luck felon forced to make difficult choices in a situation that spirals far outside his control.read